'The Spirit Cried' (Mark 9.26): sounds of the dead, damned, and demonic in the landscape of eighteenth-century Wales
Noisome Spirits: an audition of apparitions
'In Our Day': or, what we did when we were undergraduates
'The Hearing Ear and the Seeing Eye': transformative listening to the biblical image [London]
'The Hearing Ear and the Seeing Eye': transformative listening to the biblical image [Chichester]
Recalling and Forgetting the Past: a sonic transformation of sermons using digital and analogue technology and the deficits of dementia
Advent Light
Archive to Archive: recollecting and collecting memories
The Sounds of Sinai: a sonic intervention in the book of Exodus
One-to-One-to-Many: sharing the fruit of individual instruction with the learning community using social media
The Nativity in Art
”The Noise of His Voice” (Job 37.2): re-articulations of the Evan Roberts wax cylinder
Quiet Bell: seeing silence in Millet's The Angelus
The Retrieval of Revival: recollecting and revising the Evan Roberts wax cylinder
Capturing Ghosts: modernity, technology, and the paranormal
An Art of Predestination: textual-visual-aural approaches to imaging the Bible
John Harvey Aberystwyth, UK
I’m a practitioner and historian of sound art and visual art, and Emeritus Professor of Art at the School of Art, Aberystwyth University, UK. My research field is the sonic and visual culture of religion. I explore the sonic articulations of the Christian religion by engaging visual, textual, and audible sources, theological and cultural ideas, and systemic and audiovisualogical processes. ... more
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