'The Spirit Cried' (Mark 9.26): sounds of the dead, damned, and demonic in the landscape of eighteenth-century Wales
Noisome Spirits: an audition of apparitions
'In Our Day': or, what we did when we were undergraduates
'The Hearing Ear and the Seeing Eye': transformative listening to the biblical image [London]
'The Hearing Ear and the Seeing Eye': transformative listening to the biblical image [Chichester]
Recalling and Forgetting the Past: a sonic transformation of sermons using digital and analogue technology and the deficits of dementia
Advent Light
Archive to Archive: recollecting and collecting memories
The Sounds of Sinai: a sonic intervention in the book of Exodus
One-to-One-to-Many: sharing the fruit of individual instruction with the learning community using social media
The Nativity in Art
”The Noise of His Voice” (Job 37.2): re-articulations of the Evan Roberts wax cylinder
Quiet Bell: seeing silence in Millet's The Angelus
The Retrieval of Revival: recollecting and revising the Evan Roberts wax cylinder
Capturing Ghosts: modernity, technology, and the paranormal
An Art of Predestination: textual-visual-aural approaches to imaging the Bible
Evan Roberts: a waxwork revival
An Anti-Icon: a protestant art now
An ABC of Situating Chapels: architectural, biblical, and cultural perspectives
Works From The Pictorial Bible Series
Visual Blasphemy: defamations and definitions
The End of Vision: the purpose and limits of religious representation
'The Vision ... as the Words of a Book' (Isa. 29.11): the Bible as contemporary art
Illumination and Transparency: seeing through the Bible in Wales
Christ and the Ikon
The Agony in the Garden: the visions of Evan Roberts and the 1904-5 welsh revival
‘The Ghost of Christmas Yet to Come': Dickens and spirit photography
The Photographic Medium: reinventing the ghost in the visual culture of psychic photography
A Welsh Landscape: industrial landscape painting in South Wales
Nonconformity and the Art of the Word
An Interview with John Harvey
Art/Sound: practice, theory, and history 1800-2010 (module)
Abstraction: practice, theory and history, 1913 to the present (module)
Visual Culture of Religion I: chapels in Wales 1696-1918 (module)
British Landscape: nineteenth and twentieth centuries (module)
John Harvey Aberystwyth, UK
I’m a practitioner and historian of sound art and visual art, and Professor of Art at the School of Art, Aberystwyth University, UK. My research field is the sonic and visual culture of religion. I explore the sonic articulations of the Christian religion by engaging visual, textual, and audible sources, theological and cultural ideas, and systemic and audiovisualogical processes. ... more
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